Tuesday, 31 December 2019

Cats

(G) ★

Director: Tom Hooper.

Cast: Francesca Hayward, Robbie Fairchild, Laurie Davidson, Judi Dench, Idris Elba, Jennifer Hudson, James Corden, Rebel Wilson, Ian McKellen, Jason Derulo, Taylor Swift, Mette Towley, Steven McRae, Ray Winstone.

Furrycon 2020 was as weird as you'd expect.
To paraphrase Jurassic Park's Ian Malcolm, the filmmakers behind Cats were so preoccupied with whether or not they could make a heavily CG adaptation of the popular Broadway musical, they didn’t stop to think if they should.

Maybe it works as a stage production - I haven't seen it but its lengthy runs on Broadway and the West End suggest someone loves it. But as a film it is plotless, repetitive, and soul-sappingly boring. And then there's the occasionally bad effects, annoying camerawork, bizarre tone, and overall horrid look of the whole thing. This is the last film I saw for review in 2019, and it was easily the worst.

The plot, such as it is, involves a group of anthropomorphic cats gathering at a singing contest, with the cat that can sing the best song about themselves getting to be reincarnated. 


In reality, the "plot" of the film goes something like this:

"Who's that cat?"
*a five-minute song about that cat*
"Who's that cat?"
*another lengthy song about that cat*
*some dancing*
*Idris Elba turns up, leaves*
"Who's that cat?"
*another interminably long song about that cat*
"Who's that cat?"
*another song about a bloody cat*
*some more dancing*
*Jennifer Hudson sings a bit of Memories*
*Hey look, it's Idris Elba again... and he's gone*
*Enter Judi Dench dressed as the Cowardly Lion
"Who's that cat?"
*another five-minute long song about that cat*
*Hudson sings a bit more of Memories*
*more dancing*
*competition begins involving cats singing songs about themselves*
*Oh look, here's Taylor Swift*
*Idris is back*
*another bloody song about another bloody cat*
*Hudson sings more of Memories*
*the end?*
*oh no, now Judi Dench is singing down the camera about how cats are different to dogs ffs*

... and so it goes. There's nothing in the way of character development, excepting perhaps meek magician Mr Mistoffelees (Davidson), who has to overcome his meekness and do "real" magic to overcome the dastardly deeds of Elba's evil Macavity. Our nominal heroine Victoria (Hayward) is little more than an audience surrogate and there are no key themes to take away, and those that do exist are murky or ill-defined. 

Given the G-rating, one would have thought there might have been some kind of message, but that's lacking. The tone is also weird and strangely sexual in places (particularly when Swift's Bombalurina turns up) for a family film.

There is so much to dislike about Cats - the jittery handicam work early on, the horrible CG in places, the plotlessness - that it overpowers the good bits, kind of like how off food in the fridge can make the non-off stuff taste bad. Corden and Wilson get a couple of funny lines, the dancing and singing is generally solid, Swift's one scene is a show-stopper, and when Hudson finally lets rip in Memories (the musical's only genuinely good song) it's genuinely impressive.

But these highlights can't overcome the annoyingness of everything around it. It feels like nothing happens in the film, and what little plot there is happens in the space of five minutes. 

I'm glad to have seen Cats only because it made choosing a worst film of the year all the easier.

Saturday, 28 December 2019

The 100 best films of the 2010s



Here are my picks for the best movies of the 2010s. The list skews heavily toward the Hollywood big-hitters because that's what you predominantly get to see being an increasingly time-poor film reviewer in a country town. So if your favourite film isn't on the list, I probably haven't seen it.

Unless it's Interstellar. In which case, fuck that movie.

One more caveat: I gave up putting these films in order at some point, so if you come at me saying such-and-such a film is better than higher-placed such-and-such a film, you're probably right. Also, I lazily grouped a bunch of films together. Whatever - this was really fucking hard.

And I'm not going to make you dig to the bottom to find out what #1 is. You're welcome.

PS. Click the pics or movie titles to read full reviews where available.



1. Inception


Christopher Nolan's voyage into a dream within a dream within a dream had endlessly inventive visuals, a clever heist plot, a surprisingly heartfelt arc about love and loss, and one of the great endings of all time. It took some old pieces, mixed in some new ideas, and did things we had never seen before. At a time when intelligent blockbusters were hard to come by, Inception had brains to match its bending buildings.



2. La La Land

Every department in this film is working at its peak - cinematography, costume, choreography, script, direction, music, editing, and acting. Damien Chazelle emerged as one of the great directors of the decade, and in the willing triple-threats of Gosling and Stone he found the perfect cyphers to explore the true costs of achieving your dreams.



3. Arrival

One of the other great directors to emerge in the Teens was Denis Villeneuve, who told a sci-fi tale unlike any other in Arrival. Led by a top-of-her-game Amy Adams, it's an engrossing exploration of the power of language and communication that feels like a spiritual successor to Close Encounters Of The Third Kind.




Marvel dominated the 2010s, and this superhero-sized team-up was the moment it showed everyone how omnipotent and unstoppable it was. Joss Whedon brought the ill-fitting Avengers together into a wise-cracking unit that was the first of nine Marvel films to make a billion dollars at the worldwide box office, while still being a critical darling (91% on Rotten Tomatoes). Its mix of character and action is a template (or should be) for all superhero squad films that follow.




The thought of doing a film largely set within the head of an 11-year-old girl and where the principle characters are her emotions would send other animation studios reaching for the metaphorical paracetamol. Not Pixar, which makes pushing boundaries look effortless. The fact Pixar pulled off this hair-brained coming-of-age tale so brilliantly and beautifully is enough to make you want to stand up and applaud.




One of the greatest horror films of all time. They will be talking about this movie and what it represents for decades to come. Jordan Peele gave us a fresh perspective on what's scary and showed he is a directorial talent to be reckoned with. 



7. Spotlight

Everyone needs an occasional reminder of the good the media can do, especially those of us who work in the industry. This exceptional "journos do their job" movie is more than that though - it's a riveting look at truth and power that rivals All The President's Men. Subtly directed, adroitly edited, and starring an ensemble in fine form, this is the best of the decade's Best Picture Oscar-winners ...




8. Birdman

... with this a close second. Alejandro Iñárritu's bold faux-single take captures comeback kid Michael Keaton in career-best form as an actor in a downward spiral. Everything about this movie – the performances, the direction, the score, the themes – is stellar (except the last five seconds, but I can overlook that).





This was the perfect ending to a perfect trilogy until they made the unexpectedly perfect Toy Story 4. Its richness of ideas and themes, the strength of its characters, its inventive humour and plotting - all of these things are of the highest calibre. And no matter how many times I watch this with my three-year-old, I still bawl in the same two places every time. 



10. Scott Pilgrim Vs The World

Edgar Wright wrote his own rule book for this hyperactive piece of genius. It owes more to comic books and video games than cinema most of the time, and is one of the most enjoyable and inventive rom-coms ever made. There has been nothing like this film before or since.




11-13. The Planet Of The Apes trilogy

A reboot trilogy no one was asking for proved to be the best three-parter of the decade. Andy Serkis and the CG team behind the apes deserve truckloads of accolades for making Caesar one of the most well-rounded and fascinating characters of the past 10 years. Each film has been excellent, with its own themes and feel, combining to make an essential trilogy.




14. Joker

2019's best film was a super villain origin story that explored one of comicbookdom's best known figures in a bold new way. Joaquin Phoenix's gargantuan performance leads a creepy, propulsive story that explores the forgotten underbelly of society and what happens when someone falls through the cracks and strikes back.




15. Three Billboards Outside Ebbing, Missouri

This masterful script from director Martin McDonagh gives three all-time great actors - Frances McDormand, Woody Harrelson and Sam Rockwell - some of the best roles of their careers. At its heart it's about what death leaves behind, and the lasting impacts of violence, with every violent act in the film having interesting and unexpected repercussions. McDonagh's skill for black comedy is at the fore, softening the harshness of some of the content and packing a punch in other places.




16. Super 8

JJ Abrams' ode to Steven Spielberg is a perfect piece of escapism that updates the kids-own adventures of the '80s. Wrapped in warm nostalgia, it builds on the technical feats of the Abrams-produced Cloverfield, but throws a team of uber-talented teens into the mix, making it a coming-of-age sci-fi with heart and spectacle.



17 & 18. Avengers: Infinity War/Avengers: Endgame

The scope and scale of Marvel's decade-ending one-two punch is unrivalled. Thanos proved to be a multi-faceted villain worthy of concluding 12 years of wonderfully interwoven superhero fare, while the script juggles its 20+ characters with ease. It's the Ben Hur of our age. 



19. The Wolf Of Wall Street

Martin Scorsese is still going strong. In fact, you could argue the 2010s saw him at the top of his game, with this tale of stock market arseholes among his best work. DiCaprio's cocaine-fuelled performance was one of eight (!) remarkable turns he gave us in the decade.



20 & 21. Paddington & Paddington 2

Pure joy - that's the best way to sum up these two flawless family films based on the adventures of Michael Bond's beloved bear. Paul King's visual flair adds a spark to match his heartfelt stories, which are taken to another level by a willing cast led by the villains of the two films - Nicole Kidman and Hugh Grant, giving the funniest turns of their careers.









27. Boy








30. Ex Machina


31. Her


32. Django Unchained






35. Life Of Pi








39. Frozen












46. The Muppets


47. Gravity


48. Four Lions


49. Hugo


51. True Grit


52. Whiplash


53. The Social Network


55. The Cabin In The Woods


57. Captain Fantastic


59. Animal Kingdom


60. Searching For Sugarman


61. Prisoners


62. Chronicle


66. Midnight In Paris


67. The Babadook


71. Carol


Thanks for getting all the way to the end. I appreciate it. Apologies to The Lego Movie, which would have #101.

Tell me in the comments what 2010s movies I need to see.