Director: Shawn Levy.
Cast: Ryan Reynolds, Hugh Jackman, Emma Corrin, Morena Baccarin, Rob Delaney, Leslie Uggams, Aaron Stanford, Matthew Macfadyen.
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| "You could've just paid the man instead of shooting up his shop." |
A film's success is often about meeting expectations. A horror movie should scare, an action film should be exciting, a comedy should make you laugh, and a Deadpool movie should be full of a hilarious mixture of ultra-violence and a hitherto unwitnessed level of swearing.
On that front, Deadpool & Wolverine is an incredible success, and really it's all that matters. The Merc With The Mouth is flat-out funny as he rips down the fourth wall while simultaneously kicking it in the dick. Subtle this is not. And the added bonus is that Wolverine is along for the ride (as are a handful of unexpected but very welcome cameos).
The plot, for what it's worth, sees Deadpool (Reynolds) approached by timeline cops the TVA (as featured in the TV series Loki) with a very special offer that will spare him from the demise of his universe, which has been left unstable due to the death of its "anchor being" Wolverine (Jackman).
Deadpool heads off on a journey across the multiverse to find a new Wolverine to help him save his timeline, which leaves them both trapped in The Void facing off with a dangerous mutant named Cassandra Nova (Corrin).
If you didn't like the previous Deadpool films, don't bother with this. D&W is for Deadpool fans and MCU completists... and that is all. It's filled with enough profanity to kill a nun, and throws its violence around like it's going out of fashion. It's a sweary, bloody gagfest that will have a certain type of juvenile sense of humour in stitches from start to finish.
It's also full of some marvellous superhero cameos, most of which are set-ups for the kind of meta in-jokes that make Deadpool movies so much fun for those in the know. This is Deadpool's first foray into the MCU (thanks to Disney buying 20th Century Fox), so that meta-ness is dialled up to 11 as the filmmakers get a bigger toybox of characters to play with. And there's a real sense of joy that comes with that - every wink and nod at the audience seems to fill Reynolds with genuine delight.
There's a perverse joy to how insane this is. That Jackman snikts out the Wolverine claws one last time (maybe/probably?) for this immature swear-fest is funny in itself, and the number of high-level cameos being wasted here is gold. Perhaps the only downside is that Corrin's delicious performance as Cassandra Nova is too good for a film that is essentially an endless parade of dick jokes dressed up in spandex.
Similarly, the film really grinds to a halt whenever it tries to talk about its feelings. It's necessary and it's fine, but the gearbox definitely clunks a few times when Wolverine gets the melancholies. On the one hand, it gives the film stakes to fight for, which is important when both your main characters are essentially unkillable and morally ambiguous.
It's not going to win over new fans, nor is it going to be mentioned in the same breath as top shelf superhero movies like Avengers: Infinity War or The Dark Knight, but it works. It's exactly what a Deadpool movie should be and kudos to Disney for having the brains and balls to let it be that.
Welcome to the MCU, Deadpool.
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